Biographies & Memoirs

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Authors: Michalis Reppas,Agelos Antonopoulos,Alexandros K. Antonopoulos

Alexandros Antonopoulos, thanks to his grandmother Katina Paxinou and his grandfather Alexis Minotis, had the fortune to meet many legendary artists, both foreign and Greek. However, for some strange...

Alexandros Antonopoulos, thanks to his grandmother Katina Paxinou and his grandfather Alexis Minotis, had the fortune to meet many legendary artists, both foreign and Greek. However, for some strange reason, Callas inspired him with something more than admiration. They had only five brief encounters; certainly insignificant for her but pivotal for young...

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  • Release Date 3/2021
  • Number of pages Number of pages 256
  • Language Greek
  • Cover Cover Soft
  • Year of publication Year of publication 2021
  • Publisher Publisher PSychogios
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Description

Description

Alexandros Antonopoulos, thanks to his grandmother Katina Paxinou and his grandfather Alexis Minotis, had the fortune to meet many legendary artists, both foreign and Greek. However, for some strange reason, Callas inspired him with something more than admiration. They had only five brief encounters; certainly insignificant for her but pivotal for young Alexandros.

The first time they met, in 1958, Alexandros was eleven years old and initially felt fear towards her, which quickly evolved into an enthusiastic friendship when Callas gifted him his first white chocolate. Thanks to this white chocolate, he became a lover of opera and remains one to this day. Not only of opera but of Callas herself, who gradually imprinted in his mind as a symbolic image of passion and dedication to art.

DO NOT DISTURB MISS CALLAS is the story of this image, as recorded in the childhood and youthful soul of Alexandros; an image that now lies at the bottom of memory but still emits its enigmatic allure. But who was Maria Callas? Reality, imagination, idealization, and demystification intertwine and distort the fragile fabric of the truth of events, appearing increasingly inaccessible. All that remains is the truth of our feelings.

Read an excerpt

I met her in 1958 in Dallas. She was only 35 years old and I was 11. Of course, in the eyes of an eleven-year-old, a 35-year-old woman seems very grown-up. And when that woman is Maria Callas, just imagine how tall and imposing she appeared to me. I was in Dallas with my grandmother and her husband, whom I called grandpa. My grandfather was directing Callas in Medea by Ceurubini. I knew Medea from my grandmother. She had played her many times at Epidaurus, in productions directed by my grandfather. My grandmother, Katina Paxinou, was the most legendary post-war actress of Greece. Along with her husband Alexis Minotis, they were the most important performers of ancient tragedy and the classical European repertoire in our country. In 1939, they were in London with the National Theatre of Greece. Paxinou played Sophocles' Electra and Minotis played Shakespeare's Hamlet. The reception from the British audience was so enthusiastic that they invited Paxinou to perform Ibsen's Ghosts at the Duchess Theatre the following year. But the following year was 1940. With the outbreak of war, my grandmother found herself performing Ghosts in bombed-out London and was stranded there.

In 1941, in her attempt to leave England, she secretly boarded a destroyer. The destroyer was sunk by a German submarine, and she was stranded for a week in the middle of the Atlantic on a lifeboat with a dozen sailors. They were rescued by an American ship, and a few days later, Paxinou found herself alone, without papers, without money, and without knowing anyone, in New York. How this woman went from that situation to winning an Oscar for Best Supporting Actress for Pilar in For Whom the Bell Tolls in 1943 is a story I must tell another time. Thanks to my grandmother, I met great personalities of the arts. From Gary Cooper, Marilyn Monroe, and Sophia Loren to Lucino Visconti, Elia Kazan, and Jean Renoir. Because from 1942 to 1952, Paxinou stayed in America and made many films until she decided to return to Greece to play the major theatrical roles she longed for, in her language.

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Book Excerpt

Authors
Michalis Reppas, Agelos Antonopoulos, Alexandros K. Antonopoulos
Publisher
PSychogios
Language
Greek
Cover
Soft
Number of Pages
256
Release Date
3/2021
Type
Biography
Attribute
Artists
Publication Date
2021
Dimensions
14x21 cm
ISBN-13
9786180137682

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

See all specifications

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Description & Specifications

Alexandros Antonopoulos, thanks to his grandmother Katina Paxinou and his grandfather Alexis Minotis, had the fortune to meet many legendary artists, both foreign and Greek. However, for some strange reason, Callas inspired him with something more than admiration. They had only five brief encounters; certainly insignificant for her but pivotal for young Alexandros.

The first time they met, in 1958, Alexandros was eleven years old and initially felt fear towards her, which quickly evolved into an enthusiastic friendship when Callas gifted him his first white chocolate. Thanks to this white chocolate, he became a lover of opera and remains one to this day. Not only of opera but of Callas herself, who gradually imprinted in his mind as a symbolic image of passion and dedication to art.

DO NOT DISTURB MISS CALLAS is the story of this image, as recorded in the childhood and youthful soul of Alexandros; an image that now lies at the bottom of memory but still emits its enigmatic allure. But who was Maria Callas? Reality, imagination, idealization, and demystification intertwine and distort the fragile fabric of the truth of events, appearing increasingly inaccessible. All that remains is the truth of our feelings.

Read an excerpt

I met her in 1958 in Dallas. She was only 35 years old and I was 11. Of course, in the eyes of an eleven-year-old, a 35-year-old woman seems very grown-up. And when that woman is Maria Callas, just imagine how tall and imposing she appeared to me. I was in Dallas with my grandmother and her husband, whom I called grandpa. My grandfather was directing Callas in Medea by Ceurubini. I knew Medea from my grandmother. She had played her many times at Epidaurus, in productions directed by my grandfather. My grandmother, Katina Paxinou, was the most legendary post-war actress of Greece. Along with her husband Alexis Minotis, they were the most important performers of ancient tragedy and the classical European repertoire in our country. In 1939, they were in London with the National Theatre of Greece. Paxinou played Sophocles' Electra and Minotis played Shakespeare's Hamlet. The reception from the British audience was so enthusiastic that they invited Paxinou to perform Ibsen's Ghosts at the Duchess Theatre the following year. But the following year was 1940. With the outbreak of war, my grandmother found herself performing Ghosts in bombed-out London and was stranded there.

In 1941, in her attempt to leave England, she secretly boarded a destroyer. The destroyer was sunk by a German submarine, and she was stranded for a week in the middle of the Atlantic on a lifeboat with a dozen sailors. They were rescued by an American ship, and a few days later, Paxinou found herself alone, without papers, without money, and without knowing anyone, in New York. How this woman went from that situation to winning an Oscar for Best Supporting Actress for Pilar in For Whom the Bell Tolls in 1943 is a story I must tell another time. Thanks to my grandmother, I met great personalities of the arts. From Gary Cooper, Marilyn Monroe, and Sophia Loren to Lucino Visconti, Elia Kazan, and Jean Renoir. Because from 1942 to 1952, Paxinou stayed in America and made many films until she decided to return to Greece to play the major theatrical roles she longed for, in her language.

Manufacturer

Product Guides

Book Excerpt

Authors
Michalis Reppas, Agelos Antonopoulos, Alexandros K. Antonopoulos
Publisher
PSychogios
Language
Greek
Cover
Soft
Number of Pages
256
Release Date
3/2021
Type
Biography
Attribute
Artists
Publication Date
2021
Dimensions
14x21 cm
ISBN-13
9786180137682

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

Reviews (1)

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    0
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  4. 2 stars
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  5. 1 star
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Review this product
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    • Was it easy to read?
    • Was it interesting enough?
    • I liked the writing style
    • I would recommend it for reading
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