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Neumann MCM 114 Set Drums Set Condenser (Small Diaphragm) Microphone Shock Mounted
Microphones

Neumann MCM 114 Set Drums Set Condenser (Small Diaphragm) Microphone Shock Mounted

Complete set for using the Neumann Miniature Clip Mic MCM system on percussion instruments and drums such as snares, toms, stand toms, and timpanis. Contains:

  • KK 14 capsule
  • SH 150 gooseneck
  • KC 1...

Complete set for using the Neumann Miniature Clip Mic MCM system on percussion instruments and drums such as snares, toms, stand toms, and timpanis. Contains:

  • KK 14 capsule
  • SH 150 gooseneck
  • KC 1 cable support
  • AC 31 cable
  • MCM 100 output stage
  • WS 110 windshield
  • MC 7 clip

The multi-layer design of the capsule surpasses previous electret limitations, offering...

See full description See full description
  • Usage Musical Instruments
  • Placement Shock Mounted
  • Connectivity XLR, 3.5mm
  • See all
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Product report

Description

Description

Complete set for using the Neumann Miniature Clip Mic MCM system on percussion instruments and drums such as snares, toms, stand toms, and timpanis. Contains:

  • KK 14 capsule
  • SH 150 gooseneck
  • KC 1 cable support
  • AC 31 cable
  • MCM 100 output stage
  • WS 110 windshield
  • MC 7 clip

The multi-layer design of the capsule surpasses previous electret limitations, offering improved clarity in critical frequency ranges, cardioid pattern, and unmatched tonal consistency. The durable design and construction ensure long life.

The KK 14 captures the characteristic sound of acoustic instruments with accuracy and neutrality, offering broader bass and midrange, as well as assured elegance in the treble. With a maximum SPL of 153, the KK 14 is open to all details.

Neumann chose a multi-layer structure where each unit of the KK 14 is crafted and designed to deliver the perfect result. The components are hand-assembled in Germany, offering unmatched acoustic properties.

Resistance in all conditions and multi-layer design offer an unheard level of tonal consistency, saving engineers time on basic EQ-ing and providing stable sound from the first soundcheck. The modular design also allows for easy replacement of parts.

Nine mounting clips allow reliable placement on any instrument, while being safe for any surface. The system connects with all major wireless systems and includes cable options for 3.5 mm jack, Lemo, mini-XLR 4-pin, MicroDot, or wired connection.

Technical data:

  • Capsule: KK 14
  • Acoustic operating principle: Pressure gradient transducer
  • Polar pattern: Cardioid
  • Frequency response: 20 Hz...20 kHz
  • Sensitivity: 3.6 mV/Pa -49 dBV
  • Nominal impedance: 10 ohms
  • Signal-to-noise ratio, CCIR: 63 dB
  • Signal-to-noise ratio, A-weighted: 71 dB
  • Equivalent noise level, CCIR: 31 dB
  • Equivalent noise level, A-weighted: 23 dB-A
  • Dynamic range of the amplifier, A-weighted for THD < 0.5 %: 130 dB
  • Max. output voltage: 12 dBu
  • Power supply: max. 10 V, with Rfeed = 20 kohms
  • Current consumption: 0.22 mA
  • Weight: 2.3 g
  • Diameter: 12 mm
  • Length: 11 mm
  • Max. SPL for THD < 0.5 % with Usupply = 10V, Rfeed = 20 kohms: 153 dB SPL
  • Max. SPL with Usupply = 5V, Rfeed = 8.25 kohms: 147 dB SPL
  • Permissible atmospheric conditions:
  • Operating temperature range: 0 °C … +40 °C
  • Operating humidity range: 0 %…90 % rel. hum
  • Storage temperature range: –20 °C … +70 °C
  • Storage humidity range: 0 %…95 % rel. hum

Manufacturer

Manufacturer Details

Warnings & Safety Information
See full description

Specifications

Specifications

Dimensions

Mode of Operation
Condenser (Small Diaphragm)

Mode of Operation

Condenser (Small Diaphragm)
Very accurate and fast in response. Suitable for instruments with detail and high frequencies (acoustic guitar, piano, overheads).
Sensitivity
3.6 mV/Pa

Sensitivity

The sensitivity of a microphone indicates how strong the signal it produces is when recording a sound. It is measured in mV/Pa or dBV/Pa.

  • High sensitivity: The microphone can capture very low sounds, but it may be more sensitive to ambient noise.
  • Low sensitivity: It records louder sound sources without distortion, but requires more amplification from the preamp.

In general, condenser microphones have higher sensitivity than dynamic ones.

Max SPL
152 dB

Max SPL

Max SPL (Maximum Sound Pressure Level) is the maximum sound pressure level (in dB) that a microphone can withstand before it starts to distort the sound.

  • High Max SPL (e.g., 140-160dB): Ideal for recording loud sources such as drums, amplified guitar, or live concerts.
  • Lower Max SPL (e.g., 120dB): Suitable for vocals and softer recordings.

The higher the Max SPL, the louder the sounds it can capture without distortion.
Signal-to-Noise Ratio (SNR)
63 dB

Signal-to-Noise Ratio (SNR)

Indicates the difference between the useful signal and the microphone's noise. The higher the value in dB, the clearer the sound. A microphone with a low SNR may sound “noisy,” especially in quiet environments or when recording low-volume sounds. On the other hand, a high SNR means that noise is minimal compared to the sound you want to capture, offering a more professional, clear, and detailed result—ideal for studio, vocals, or high-quality recording.

  • 35 – 60 dB (Low SNR): Noticeable noise is present. Suitable for casual use or loud sources.
  • 60 – 90 dB (Medium SNR): Good signal-to-noise balance. Suitable for live performances and general use.
  • 90 – 110 dB (High SNR): Very clear signal with minimal noise. Ideal for studio, vocals, and high-quality recording.
Connectivity
XLR, 3.5mm

General Characteristics

Device Group
Musical Instruments
Placement
Shock Mounted
Vintage
No
Set
Yes
Color
Black

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

See all specifications
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Questions

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Description & Specifications

Complete set for using the Neumann Miniature Clip Mic MCM system on percussion instruments and drums such as snares, toms, stand toms, and timpanis. Contains:

  • KK 14 capsule
  • SH 150 gooseneck
  • KC 1 cable support
  • AC 31 cable
  • MCM 100 output stage
  • WS 110 windshield
  • MC 7 clip

The multi-layer design of the capsule surpasses previous electret limitations, offering improved clarity in critical frequency ranges, cardioid pattern, and unmatched tonal consistency. The durable design and construction ensure long life.

The KK 14 captures the characteristic sound of acoustic instruments with accuracy and neutrality, offering broader bass and midrange, as well as assured elegance in the treble. With a maximum SPL of 153, the KK 14 is open to all details.

Neumann chose a multi-layer structure where each unit of the KK 14 is crafted and designed to deliver the perfect result. The components are hand-assembled in Germany, offering unmatched acoustic properties.

Resistance in all conditions and multi-layer design offer an unheard level of tonal consistency, saving engineers time on basic EQ-ing and providing stable sound from the first soundcheck. The modular design also allows for easy replacement of parts.

Nine mounting clips allow reliable placement on any instrument, while being safe for any surface. The system connects with all major wireless systems and includes cable options for 3.5 mm jack, Lemo, mini-XLR 4-pin, MicroDot, or wired connection.

Technical data:

  • Capsule: KK 14
  • Acoustic operating principle: Pressure gradient transducer
  • Polar pattern: Cardioid
  • Frequency response: 20 Hz...20 kHz
  • Sensitivity: 3.6 mV/Pa -49 dBV
  • Nominal impedance: 10 ohms
  • Signal-to-noise ratio, CCIR: 63 dB
  • Signal-to-noise ratio, A-weighted: 71 dB
  • Equivalent noise level, CCIR: 31 dB
  • Equivalent noise level, A-weighted: 23 dB-A
  • Dynamic range of the amplifier, A-weighted for THD < 0.5 %: 130 dB
  • Max. output voltage: 12 dBu
  • Power supply: max. 10 V, with Rfeed = 20 kohms
  • Current consumption: 0.22 mA
  • Weight: 2.3 g
  • Diameter: 12 mm
  • Length: 11 mm
  • Max. SPL for THD < 0.5 % with Usupply = 10V, Rfeed = 20 kohms: 153 dB SPL
  • Max. SPL with Usupply = 5V, Rfeed = 8.25 kohms: 147 dB SPL
  • Permissible atmospheric conditions:
  • Operating temperature range: 0 °C … +40 °C
  • Operating humidity range: 0 %…90 % rel. hum
  • Storage temperature range: –20 °C … +70 °C
  • Storage humidity range: 0 %…95 % rel. hum

Manufacturer

Manufacturer Details

Warnings & Safety Information

Dimensions

Mode of Operation
Condenser (Small Diaphragm)

Mode of Operation

Condenser (Small Diaphragm)
Very accurate and fast in response. Suitable for instruments with detail and high frequencies (acoustic guitar, piano, overheads).
Sensitivity
3.6 mV/Pa

Sensitivity

The sensitivity of a microphone indicates how strong the signal it produces is when recording a sound. It is measured in mV/Pa or dBV/Pa.

  • High sensitivity: The microphone can capture very low sounds, but it may be more sensitive to ambient noise.
  • Low sensitivity: It records louder sound sources without distortion, but requires more amplification from the preamp.

In general, condenser microphones have higher sensitivity than dynamic ones.

Max SPL
152 dB

Max SPL

Max SPL (Maximum Sound Pressure Level) is the maximum sound pressure level (in dB) that a microphone can withstand before it starts to distort the sound.

  • High Max SPL (e.g., 140-160dB): Ideal for recording loud sources such as drums, amplified guitar, or live concerts.
  • Lower Max SPL (e.g., 120dB): Suitable for vocals and softer recordings.

The higher the Max SPL, the louder the sounds it can capture without distortion.
Signal-to-Noise Ratio (SNR)
63 dB

Signal-to-Noise Ratio (SNR)

Indicates the difference between the useful signal and the microphone's noise. The higher the value in dB, the clearer the sound. A microphone with a low SNR may sound “noisy,” especially in quiet environments or when recording low-volume sounds. On the other hand, a high SNR means that noise is minimal compared to the sound you want to capture, offering a more professional, clear, and detailed result—ideal for studio, vocals, or high-quality recording.

  • 35 – 60 dB (Low SNR): Noticeable noise is present. Suitable for casual use or loud sources.
  • 60 – 90 dB (Medium SNR): Good signal-to-noise balance. Suitable for live performances and general use.
  • 90 – 110 dB (High SNR): Very clear signal with minimal noise. Ideal for studio, vocals, and high-quality recording.
Connectivity
XLR, 3.5mm

General Characteristics

Device Group
Musical Instruments
Placement
Shock Mounted
Vintage
No
Set
Yes
Color
Black

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

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