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Behringer BC LAV Go Condenser (Small Diaphragm) Microphone 3.5mm Πέτου, Clip On for Vocals
Microphones

Behringer BC LAV Go Condenser (Small Diaphragm) Microphone 3.5mm Πέτου, Clip On for Vocals

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{Mounting method} Clip.

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  • {Type} Capacitive
  • {Type} Capacitive
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See full description See full description

  • Type (Directivity)

    Unidirectional (Cardioid)

    Cardioid: Captures sound primarily from the front, reducing sounds from the sides and rear. Ideal for vocals, podcasting, and live recordings.
  • Usage Voice, Presentations & Theater, Journalistic
  • Placement Lapel, Clip On
  • Connectivity 3.5mm
  • See all
11 50 €
12 Coins 12 Coins
Delivery by Fri, 10 Jul
2,50 € to a Skroutz Point
or   3,50 €   shipping cost
From NakasMusicStore 4.9 (9)
4.9 (9 reviews)
Παιανία, Αττικής
5+ pieces
See Audio on the page of NakasMusicStore
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Product report

Description

Description

Draw {Application}.

Draw {Application}.

Draw {Application}.

Draw {Application}.

  • {Type} Capacitive
  • {Type} Capacitive
  • {Type} Capacitive
  • {Type} Capacitive

{Mounting method} Clip.

{Mounting method} Clip.

{Mounting method} Clip.

{Attachment method} Clip

Manufacturer

Manufacturer Details

Warnings & Safety Information
See full description

Specifications

Specifications

Dimensions

Mode of Operation
Condenser (Small Diaphragm)

Mode of Operation

Condenser (Small Diaphragm)
Very accurate and fast in response. Suitable for instruments with detail and high frequencies (acoustic guitar, piano, overheads).
Directivity
Unidirectional (Cardioid)

Directivity

Unidirectional (Cardioid)

Cardioid: Captures sound primarily from the front, reducing sounds from the sides and rear. Ideal for vocals, podcasting, and live recordings.
Frequency
50 - 20000 Hz

Frequency

Indicates the frequency range that a microphone can capture and is expressed in Hertz (Hz). The more balanced the range, the more natural and clear the sound.

Usage examples:

  • 100 – 10,000 Hz to 200 – 12,000 Hz: Emphasis on speech intelligibility, with limited low and very high frequencies.
  • 50 – 14,000 Hz to 80 – 16,000 Hz: Balance of volume and clarity. Ideal for live performances and dynamic microphones.
  • 40 – 15,000 Hz to 50 – 18,000 Hz: Rich, natural vocal sound. Suitable for podcasts, radio, and streaming.
  • 20 – 18,000 Hz to 20 – 20,000 Hz: Full spectrum with high detail and "air". Ideal for studio recording.
  • Below 20 Hz & above 20,000 Hz: Extended technical range for specialized studio applications.
Impendance
680 ohm

Impendance

Indicates how "easily" the microphone transmits its signal to the equipment (mixer, sound card, amplifier). It is expressed in Ohms (Ω).

  • Low impedance (≤ 600 Ω): Stable signal, less noise, ideal for professional equipment and long cable runs.
  • Medium impedance (600 – 1,000 Ω): Good balance, common in live and general use.
  • High impedance (> 1,000 Ω): More sensitive to loss and noise, usually found in older or specialized equipment.
Max SPL
50 dB

Max SPL

Max SPL (Maximum Sound Pressure Level) is the maximum sound pressure level (in dB) that a microphone can withstand before it starts to distort the sound.

  • High Max SPL (e.g., 140-160dB): Ideal for recording loud sources such as drums, amplified guitar, or live concerts.
  • Lower Max SPL (e.g., 120dB): Suitable for vocals and softer recordings.

The higher the Max SPL, the louder the sounds it can capture without distortion.
Signal-to-Noise Ratio (SNR)
50 dB

Signal-to-Noise Ratio (SNR)

Indicates the difference between the useful signal and the microphone's noise. The higher the value in dB, the clearer the sound. A microphone with a low SNR may sound “noisy,” especially in quiet environments or when recording low-volume sounds. On the other hand, a high SNR means that noise is minimal compared to the sound you want to capture, offering a more professional, clear, and detailed result—ideal for studio, vocals, or high-quality recording.

  • 35 – 60 dB (Low SNR): Noticeable noise is present. Suitable for casual use or loud sources.
  • 60 – 90 dB (Medium SNR): Good signal-to-noise balance. Suitable for live performances and general use.
  • 90 – 110 dB (High SNR): Very clear signal with minimal noise. Ideal for studio, vocals, and high-quality recording.
Connectivity
3.5mm

General Characteristics

Device Group
Voice, Presentations & Theater, Journalistic
Placement
Lapel, Clip On
Vintage
No
Set
No
Color
Black

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

See all specifications

Reviews (1)

Reviews

1.0
1
1.0
Review this product
  1. 5 stars
    0
  2. 4 stars
    0
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1
Review this product
  • wavenomad
    1
    wavenomad

    Verified purchase

    the cable is super finicky and I lost audio mid recording, when I bend the cable at the recorder the audio comes back again but is very hit and miss, not sure if I got a dud but even so would have broken after a while anyways.
    avoid if you can

    Translated from Greek ·
    • Value for money
    • Sound quality
    • Construction quality
    • Durability
    Did you find this review helpful?
  • wavenomad
    1
    wavenomad

    the cable is super finicky and I lost audio mid recording, when I bend the cable at the recorder the audio comes back again but is very hit and miss, not sure if I got a dud but even so would have broken after a while anyways.
    avoid if you can

    Translated from Greek ·
    0
  • See all
Questions

Questions

Do you have a question about the product?

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Description & Specifications

Draw {Application}.

Draw {Application}.

Draw {Application}.

Draw {Application}.

  • {Type} Capacitive
  • {Type} Capacitive
  • {Type} Capacitive
  • {Type} Capacitive

{Mounting method} Clip.

{Mounting method} Clip.

{Mounting method} Clip.

{Attachment method} Clip

Manufacturer

Manufacturer Details

Warnings & Safety Information

Dimensions

Mode of Operation
Condenser (Small Diaphragm)

Mode of Operation

Condenser (Small Diaphragm)
Very accurate and fast in response. Suitable for instruments with detail and high frequencies (acoustic guitar, piano, overheads).
Directivity
Unidirectional (Cardioid)

Directivity

Unidirectional (Cardioid)

Cardioid: Captures sound primarily from the front, reducing sounds from the sides and rear. Ideal for vocals, podcasting, and live recordings.
Frequency
50 - 20000 Hz

Frequency

Indicates the frequency range that a microphone can capture and is expressed in Hertz (Hz). The more balanced the range, the more natural and clear the sound.

Usage examples:

  • 100 – 10,000 Hz to 200 – 12,000 Hz: Emphasis on speech intelligibility, with limited low and very high frequencies.
  • 50 – 14,000 Hz to 80 – 16,000 Hz: Balance of volume and clarity. Ideal for live performances and dynamic microphones.
  • 40 – 15,000 Hz to 50 – 18,000 Hz: Rich, natural vocal sound. Suitable for podcasts, radio, and streaming.
  • 20 – 18,000 Hz to 20 – 20,000 Hz: Full spectrum with high detail and "air". Ideal for studio recording.
  • Below 20 Hz & above 20,000 Hz: Extended technical range for specialized studio applications.
Impendance
680 ohm

Impendance

Indicates how "easily" the microphone transmits its signal to the equipment (mixer, sound card, amplifier). It is expressed in Ohms (Ω).

  • Low impedance (≤ 600 Ω): Stable signal, less noise, ideal for professional equipment and long cable runs.
  • Medium impedance (600 – 1,000 Ω): Good balance, common in live and general use.
  • High impedance (> 1,000 Ω): More sensitive to loss and noise, usually found in older or specialized equipment.
Max SPL
50 dB

Max SPL

Max SPL (Maximum Sound Pressure Level) is the maximum sound pressure level (in dB) that a microphone can withstand before it starts to distort the sound.

  • High Max SPL (e.g., 140-160dB): Ideal for recording loud sources such as drums, amplified guitar, or live concerts.
  • Lower Max SPL (e.g., 120dB): Suitable for vocals and softer recordings.

The higher the Max SPL, the louder the sounds it can capture without distortion.
Signal-to-Noise Ratio (SNR)
50 dB

Signal-to-Noise Ratio (SNR)

Indicates the difference between the useful signal and the microphone's noise. The higher the value in dB, the clearer the sound. A microphone with a low SNR may sound “noisy,” especially in quiet environments or when recording low-volume sounds. On the other hand, a high SNR means that noise is minimal compared to the sound you want to capture, offering a more professional, clear, and detailed result—ideal for studio, vocals, or high-quality recording.

  • 35 – 60 dB (Low SNR): Noticeable noise is present. Suitable for casual use or loud sources.
  • 60 – 90 dB (Medium SNR): Good signal-to-noise balance. Suitable for live performances and general use.
  • 90 – 110 dB (High SNR): Very clear signal with minimal noise. Ideal for studio, vocals, and high-quality recording.
Connectivity
3.5mm

General Characteristics

Device Group
Voice, Presentations & Theater, Journalistic
Placement
Lapel, Clip On
Vintage
No
Set
No
Color
Black

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

Reviews (1)

1.0
1
1.0
Review this product
  1. 5 stars
    0
  2. 4 stars
    0
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1
Review this product
  • wavenomad
    1
    wavenomad

    Verified purchase

    the cable is super finicky and I lost audio mid recording, when I bend the cable at the recorder the audio comes back again but is very hit and miss, not sure if I got a dud but even so would have broken after a while anyways.
    avoid if you can

    Translated from Greek ·
    • Value for money
    • Sound quality
    • Construction quality
    • Durability
    Did you find this review helpful?
  • wavenomad
    1
    wavenomad

    the cable is super finicky and I lost audio mid recording, when I bend the cable at the recorder the audio comes back again but is very hit and miss, not sure if I got a dud but even so would have broken after a while anyways.
    avoid if you can

    Translated from Greek ·
    0
  • See all
11,50 €
2,50 € to a Skroutz Point
or   3,50 €   shipping cost