The work Far from Children, along with 170 Square Meters and Paper Mache, concludes the dramatic trilogy centered around the themes of: parental home – family in contemporary Greece. It is a story about children who did not become parents and about parents who remained children forever.
A story about the simple, everyday person who one fateful day "encounters" the limits of their existence. "People who are trying to find their own way to stand and bloom, but are constantly confronted with their own self in a country and an era in Crisis, where opportunities are now very limited and they themselves are not adequately –neither morally, nor socially, nor in terms of education– prepared. And here the humor, caustic, nearly vitriolic at times, seeks to balance destruction with hope, joy with sorrow.
Crucial is the contribution of the text's atmosphere, which balances between tragedy, black comedy, and thriller," mentions Irini Moutrakis in the Epilogue. Sometimes pain unites people. Sometimes it separates them forever. Pain is birth. You never know what it will bring to light. However, there is hope. Hope is a woman, it is our unborn child, it is the tomorrow that carries the light.
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