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Rode NTG2 Condenser (Small Diaphragm) Microphone XLR Shock Mounted
Microphones

Rode NTG2 Condenser (Small Diaphragm) Microphone XLR Shock Mounted

Condenser shotgun microphone with a frequency response of 20Hz - 20KHz, sensitivity of -36 db re 1Mv Pa, ultra-low noise circuitry, and a supercardioid polar pattern. It can also operate with a...

Condenser shotgun microphone with a frequency response of 20Hz - 20KHz, sensitivity of -36 db re 1Mv Pa, ultra-low noise circuitry, and a supercardioid polar pattern. It can also operate with a 1.5-volt battery. Includes windscreen, soft case, and mount.


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Top specs

  • Type (Directivity)

    Shotgun

    Unidirectional with enhanced forward response. Suitable for stages, television or film sets, as well as for recording from a long distance.
  • Usage Computer (Gaming & Streaming)
  • Placement Shock Mounted
  • Connectivity XLR
  • See all
219 00 €
219 Coins 219 Coins
Delivery by Thu, 20 Aug
Free   shipping cost
From NakasMusicStore 4.9 (9)
4.9 (9 reviews)
Παιανία, Αττικής
5+ pieces
See Audio on the page of NakasMusicStore
What if it breaks?

You're covered by the statutory 2-year warranty. Contact us and we'll handle the entire process with the store, ensuring your issue is resolved with prompt support through a repair, replacement, or refund.

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Product report

Description

Description

Condenser shotgun microphone with a frequency response of 20Hz - 20KHz, sensitivity of -36 db re 1Mv Pa, ultra-low noise circuitry, and a supercardioid polar pattern. It can also operate with a 1.5-volt battery. Includes windscreen, soft case, and mount.


Manufacturer

Manufacturer Details

Warnings & Safety Information
See full description

Specifications

Specifications

Dimensions

Mode of Operation
Condenser (Small Diaphragm)

Mode of Operation

Condenser (Small Diaphragm)
Very accurate and fast in response. Suitable for instruments with detail and high frequencies (acoustic guitar, piano, overheads).
Directivity
Shotgun

Directivity

Shotgun

Unidirectional with enhanced forward response. Suitable for stages, television or film sets, as well as for recording from a long distance.
Frequency
20 - 20000 Hz

Frequency

Indicates the frequency range that a microphone can capture and is expressed in Hertz (Hz). The more balanced the range, the more natural and clear the sound.

Usage examples:

  • 100 – 10,000 Hz to 200 – 12,000 Hz: Emphasis on speech intelligibility, with limited low and very high frequencies.
  • 50 – 14,000 Hz to 80 – 16,000 Hz: Balance of volume and clarity. Ideal for live performances and dynamic microphones.
  • 40 – 15,000 Hz to 50 – 18,000 Hz: Rich, natural vocal sound. Suitable for podcasts, radio, and streaming.
  • 20 – 18,000 Hz to 20 – 20,000 Hz: Full spectrum with high detail and "air". Ideal for studio recording.
  • Below 20 Hz & above 20,000 Hz: Extended technical range for specialized studio applications.
Impendance
250 ohm

Impendance

Indicates how "easily" the microphone transmits its signal to the equipment (mixer, sound card, amplifier). It is expressed in Ohms (Ω).

  • Low impedance (≤ 600 Ω): Stable signal, less noise, ideal for professional equipment and long cable runs.
  • Medium impedance (600 – 1,000 Ω): Good balance, common in live and general use.
  • High impedance (> 1,000 Ω): More sensitive to loss and noise, usually found in older or specialized equipment.
Sensitivity
15 mV/Pa

Sensitivity

The sensitivity of a microphone indicates how strong the signal it produces is when recording a sound. It is measured in mV/Pa or dBV/Pa.

  • High sensitivity: The microphone can capture very low sounds, but it may be more sensitive to ambient noise.
  • Low sensitivity: It records louder sound sources without distortion, but requires more amplification from the preamp.

In general, condenser microphones have higher sensitivity than dynamic ones.

Max SPL
131 dB

Max SPL

Max SPL (Maximum Sound Pressure Level) is the maximum sound pressure level (in dB) that a microphone can withstand before it starts to distort the sound.

  • High Max SPL (e.g., 140-160dB): Ideal for recording loud sources such as drums, amplified guitar, or live concerts.
  • Lower Max SPL (e.g., 120dB): Suitable for vocals and softer recordings.

The higher the Max SPL, the louder the sounds it can capture without distortion.
Signal-to-Noise Ratio (SNR)
76 dB

Signal-to-Noise Ratio (SNR)

Indicates the difference between the useful signal and the microphone's noise. The higher the value in dB, the clearer the sound. A microphone with a low SNR may sound “noisy,” especially in quiet environments or when recording low-volume sounds. On the other hand, a high SNR means that noise is minimal compared to the sound you want to capture, offering a more professional, clear, and detailed result—ideal for studio, vocals, or high-quality recording.

  • 35 – 60 dB (Low SNR): Noticeable noise is present. Suitable for casual use or loud sources.
  • 60 – 90 dB (Medium SNR): Good signal-to-noise balance. Suitable for live performances and general use.
  • 90 – 110 dB (High SNR): Very clear signal with minimal noise. Ideal for studio, vocals, and high-quality recording.
Connectivity
XLR

General Characteristics

Device Group
Computer (Gaming & Streaming)
Placement
Shock Mounted
Vintage
No
Set
No
Color
Black

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

See all specifications

Reviews (2)

Reviews

4.5
2
4.5
Review this product
  1. 1
  2. 1
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1 star
    0
Review this product
  • Alexander_Koumplis
    5
    1 out of 1 members found this review helpful
    Alexander_Koumplis

    Verified purchase

    Excellent microphone. Clear sound. It is used in sound designs, booms, and podcasts, and the result it gives is flawless.

    Translated from Greek ·
    Did you find this review helpful?
  • saizo.samaaa
    4
    13 out of 13 members found this review helpful
    saizo.samaaa

    From the best available options for an entry level recording kit.

    It is more suitable for ENG and film/television shoots for use on a boom pole where the sound will be recorded on a separate unit.
    It can be connected and operated with a DSLR camera thanks to the alternative power supply from AA batteries it has, but there are simpler and more affordable options for this use.

    Its tone is great and its construction is sturdy. Its body can withstand quite a beating (e.g. falling from a first floor *cough!*).

    It is moderately directional, which may not help when trying to isolate it from noise sources in the environment, but on the other hand, it performs well in both indoor and outdoor settings, and is easy to use even for a beginner boom operator.

    Mine has been in active use for 5 years and works like the first day. That's why whenever a new sound engineer asks me if there is a good, reasonably priced microphone to start recording with, well. Here it is.

    Translated from Greek ·
    Did you find this review helpful?
  • Alexander_Koumplis
    5
    Alexander_Koumplis

    Excellent microphone. Clear sound. It is used in sound designs, booms, and podcasts, and the result it gives is flawless.

    Translated from Greek ·
    1
  • saizo.samaaa
    4
    saizo.samaaa

    From the best available options for an entry level recording kit.

    It is more suitable for ENG and film/television shoots for use on a boom pole where the sound will be recorded on a separate unit.
    It can be connected and operated with a DSLR camera thanks to the alternative power supply from AA batteries it has, but there are simpler and more affordable options for this use.

    Its tone is great and its construction is sturdy. Its body can withstand quite a beating (e.g. falling from a first floor *cough!*).

    It is moderately directional, which may not help when trying to isolate it from noise sources in the environment, but on the other hand, it performs well in both indoor and outdoor settings, and is easy to use even for a beginner boom operator.

    Mine has been in active use for 5 years and works like the first day. That's why whenever a new sound engineer asks me if there is a good, reasonably priced microphone to start recording with, well. Here it is.

    Translated from Greek ·
    13
  • See all
Questions

Questions

Do you have a question about the product?

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Description & Specifications

Condenser shotgun microphone with a frequency response of 20Hz - 20KHz, sensitivity of -36 db re 1Mv Pa, ultra-low noise circuitry, and a supercardioid polar pattern. It can also operate with a 1.5-volt battery. Includes windscreen, soft case, and mount.


Manufacturer

Manufacturer Details

Warnings & Safety Information

Dimensions

Mode of Operation
Condenser (Small Diaphragm)

Mode of Operation

Condenser (Small Diaphragm)
Very accurate and fast in response. Suitable for instruments with detail and high frequencies (acoustic guitar, piano, overheads).
Directivity
Shotgun

Directivity

Shotgun

Unidirectional with enhanced forward response. Suitable for stages, television or film sets, as well as for recording from a long distance.
Frequency
20 - 20000 Hz

Frequency

Indicates the frequency range that a microphone can capture and is expressed in Hertz (Hz). The more balanced the range, the more natural and clear the sound.

Usage examples:

  • 100 – 10,000 Hz to 200 – 12,000 Hz: Emphasis on speech intelligibility, with limited low and very high frequencies.
  • 50 – 14,000 Hz to 80 – 16,000 Hz: Balance of volume and clarity. Ideal for live performances and dynamic microphones.
  • 40 – 15,000 Hz to 50 – 18,000 Hz: Rich, natural vocal sound. Suitable for podcasts, radio, and streaming.
  • 20 – 18,000 Hz to 20 – 20,000 Hz: Full spectrum with high detail and "air". Ideal for studio recording.
  • Below 20 Hz & above 20,000 Hz: Extended technical range for specialized studio applications.
Impendance
250 ohm

Impendance

Indicates how "easily" the microphone transmits its signal to the equipment (mixer, sound card, amplifier). It is expressed in Ohms (Ω).

  • Low impedance (≤ 600 Ω): Stable signal, less noise, ideal for professional equipment and long cable runs.
  • Medium impedance (600 – 1,000 Ω): Good balance, common in live and general use.
  • High impedance (> 1,000 Ω): More sensitive to loss and noise, usually found in older or specialized equipment.
Sensitivity
15 mV/Pa

Sensitivity

The sensitivity of a microphone indicates how strong the signal it produces is when recording a sound. It is measured in mV/Pa or dBV/Pa.

  • High sensitivity: The microphone can capture very low sounds, but it may be more sensitive to ambient noise.
  • Low sensitivity: It records louder sound sources without distortion, but requires more amplification from the preamp.

In general, condenser microphones have higher sensitivity than dynamic ones.

Max SPL
131 dB

Max SPL

Max SPL (Maximum Sound Pressure Level) is the maximum sound pressure level (in dB) that a microphone can withstand before it starts to distort the sound.

  • High Max SPL (e.g., 140-160dB): Ideal for recording loud sources such as drums, amplified guitar, or live concerts.
  • Lower Max SPL (e.g., 120dB): Suitable for vocals and softer recordings.

The higher the Max SPL, the louder the sounds it can capture without distortion.
Signal-to-Noise Ratio (SNR)
76 dB

Signal-to-Noise Ratio (SNR)

Indicates the difference between the useful signal and the microphone's noise. The higher the value in dB, the clearer the sound. A microphone with a low SNR may sound “noisy,” especially in quiet environments or when recording low-volume sounds. On the other hand, a high SNR means that noise is minimal compared to the sound you want to capture, offering a more professional, clear, and detailed result—ideal for studio, vocals, or high-quality recording.

  • 35 – 60 dB (Low SNR): Noticeable noise is present. Suitable for casual use or loud sources.
  • 60 – 90 dB (Medium SNR): Good signal-to-noise balance. Suitable for live performances and general use.
  • 90 – 110 dB (High SNR): Very clear signal with minimal noise. Ideal for studio, vocals, and high-quality recording.
Connectivity
XLR

General Characteristics

Device Group
Computer (Gaming & Streaming)
Placement
Shock Mounted
Vintage
No
Set
No
Color
Black

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

Reviews (2)

4.5
2
4.5
Review this product
  1. 1
  2. 1
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1 star
    0
Review this product
  • Alexander_Koumplis
    5
    1 out of 1 members found this review helpful
    Alexander_Koumplis

    Verified purchase

    Excellent microphone. Clear sound. It is used in sound designs, booms, and podcasts, and the result it gives is flawless.

    Translated from Greek ·
    Did you find this review helpful?
  • saizo.samaaa
    4
    13 out of 13 members found this review helpful
    saizo.samaaa

    From the best available options for an entry level recording kit.

    It is more suitable for ENG and film/television shoots for use on a boom pole where the sound will be recorded on a separate unit.
    It can be connected and operated with a DSLR camera thanks to the alternative power supply from AA batteries it has, but there are simpler and more affordable options for this use.

    Its tone is great and its construction is sturdy. Its body can withstand quite a beating (e.g. falling from a first floor *cough!*).

    It is moderately directional, which may not help when trying to isolate it from noise sources in the environment, but on the other hand, it performs well in both indoor and outdoor settings, and is easy to use even for a beginner boom operator.

    Mine has been in active use for 5 years and works like the first day. That's why whenever a new sound engineer asks me if there is a good, reasonably priced microphone to start recording with, well. Here it is.

    Translated from Greek ·
    Did you find this review helpful?
  • Alexander_Koumplis
    5
    Alexander_Koumplis

    Excellent microphone. Clear sound. It is used in sound designs, booms, and podcasts, and the result it gives is flawless.

    Translated from Greek ·
    1
  • saizo.samaaa
    4
    saizo.samaaa

    From the best available options for an entry level recording kit.

    It is more suitable for ENG and film/television shoots for use on a boom pole where the sound will be recorded on a separate unit.
    It can be connected and operated with a DSLR camera thanks to the alternative power supply from AA batteries it has, but there are simpler and more affordable options for this use.

    Its tone is great and its construction is sturdy. Its body can withstand quite a beating (e.g. falling from a first floor *cough!*).

    It is moderately directional, which may not help when trying to isolate it from noise sources in the environment, but on the other hand, it performs well in both indoor and outdoor settings, and is easy to use even for a beginner boom operator.

    Mine has been in active use for 5 years and works like the first day. That's why whenever a new sound engineer asks me if there is a good, reasonably priced microphone to start recording with, well. Here it is.

    Translated from Greek ·
    13
  • See all
219,00 €
Free   shipping cost
20% coupon from the shop Seliodrox until 18/08!
20% coupon from the shop Seliodrox until 18/08!
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