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MKE-2 EW Condenser (Small Diaphragm) Microphone 3.5mm Πέτου, Clip On
Microphones

MKE-2 EW Condenser (Small Diaphragm) Microphone 3.5mm Πέτου, Clip On

The Sennheiser MKE-2 EW condenser lavalier microphone attaches with a clip and connects via a 3.5 mm jack. Its design places it in the lavalier microphone category.

  • Microphone type: Condenser
  • ...

The Sennheiser MKE-2 EW condenser lavalier microphone attaches with a clip and connects via a 3.5 mm jack. Its design places it in the lavalier microphone category.

  • Microphone type: Condenser
  • Placement: Lavalier
  • Connection: 3.5 mm
  • Mounting: Clip-on
See full description See full description

Top specs

  • Type (Directivity)

    Omnidirectional

    (Omnidirectional): Captures sound equally from all directions. Ideal for environmental recordings, interviews, and natural sound.
  • Usage Presentations & Theater
  • Placement Lapel, Clip On
  • Connectivity 3.5mm
  • See all
349 00 €
Delivery by Mon, 16 Nov
Free   shipping cost
From NakasMusicStore 5.0 (10)
5.0 (10 reviews)
Παιανία, Αττικής
5+ pieces
See Audio on the page of NakasMusicStore

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Description

Description

The Sennheiser MKE-2 EW condenser lavalier microphone attaches with a clip and connects via a 3.5 mm jack. Its design places it in the lavalier microphone category.

  • Microphone type: Condenser
  • Placement: Lavalier
  • Connection: 3.5 mm
  • Mounting: Clip-on

Manufacturer

Manufacturer Details

Warnings & Safety Information
See full description

Specifications

Specifications

Dimensions

Mode of Operation
Condenser (Small Diaphragm)

Mode of Operation

Condenser (Small Diaphragm)
Very accurate and fast in response. Suitable for instruments with detail and high frequencies (acoustic guitar, piano, overheads).
Directivity
Omnidirectional

Directivity

Omnidirectional

(Omnidirectional): Captures sound equally from all directions. Ideal for environmental recordings, interviews, and natural sound.
Frequency
20 - 20000 Hz

Frequency

Indicates the frequency range that a microphone can capture and is expressed in Hertz (Hz). The more balanced the range, the more natural and clear the sound.

Usage examples:

  • 100 – 10,000 Hz to 200 – 12,000 Hz: Emphasis on speech intelligibility, with limited low and very high frequencies.
  • 50 – 14,000 Hz to 80 – 16,000 Hz: Balance of volume and clarity. Ideal for live performances and dynamic microphones.
  • 40 – 15,000 Hz to 50 – 18,000 Hz: Rich, natural vocal sound. Suitable for podcasts, radio, and streaming.
  • 20 – 18,000 Hz to 20 – 20,000 Hz: Full spectrum with high detail and "air". Ideal for studio recording.
  • Below 20 Hz & above 20,000 Hz: Extended technical range for specialized studio applications.
Impendance
1000 ohm

Impendance

Indicates how "easily" the microphone transmits its signal to the equipment (mixer, sound card, amplifier). It is expressed in Ohms (Ω).

  • Low impedance (≤ 600 Ω): Stable signal, less noise, ideal for professional equipment and long cable runs.
  • Medium impedance (600 – 1,000 Ω): Good balance, common in live and general use.
  • High impedance (> 1,000 Ω): More sensitive to loss and noise, usually found in older or specialized equipment.
Sensitivity
5 mV/Pa

Sensitivity

The sensitivity of a microphone indicates how strong the signal it produces is when recording a sound. It is measured in mV/Pa or dBV/Pa.

  • High sensitivity: The microphone can capture very low sounds, but it may be more sensitive to ambient noise.
  • Low sensitivity: It records louder sound sources without distortion, but requires more amplification from the preamp.

In general, condenser microphones have higher sensitivity than dynamic ones.

Max SPL
142 dB

Max SPL

Max SPL (Maximum Sound Pressure Level) is the maximum sound pressure level (in dB) that a microphone can withstand before it starts to distort the sound.

  • High Max SPL (e.g., 140-160dB): Ideal for recording loud sources such as drums, amplified guitar, or live concerts.
  • Lower Max SPL (e.g., 120dB): Suitable for vocals and softer recordings.

The higher the Max SPL, the louder the sounds it can capture without distortion.
Connectivity
3.5mm

General Characteristics

Device Group
Presentations & Theater
Placement
Lapel, Clip On
Vintage
No
Set
No
Color
Black

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

See all specifications
Questions

Questions

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Description & Specifications

The Sennheiser MKE-2 EW condenser lavalier microphone attaches with a clip and connects via a 3.5 mm jack. Its design places it in the lavalier microphone category.

  • Microphone type: Condenser
  • Placement: Lavalier
  • Connection: 3.5 mm
  • Mounting: Clip-on

Manufacturer

Manufacturer Details

Warnings & Safety Information

Dimensions

Mode of Operation
Condenser (Small Diaphragm)

Mode of Operation

Condenser (Small Diaphragm)
Very accurate and fast in response. Suitable for instruments with detail and high frequencies (acoustic guitar, piano, overheads).
Directivity
Omnidirectional

Directivity

Omnidirectional

(Omnidirectional): Captures sound equally from all directions. Ideal for environmental recordings, interviews, and natural sound.
Frequency
20 - 20000 Hz

Frequency

Indicates the frequency range that a microphone can capture and is expressed in Hertz (Hz). The more balanced the range, the more natural and clear the sound.

Usage examples:

  • 100 – 10,000 Hz to 200 – 12,000 Hz: Emphasis on speech intelligibility, with limited low and very high frequencies.
  • 50 – 14,000 Hz to 80 – 16,000 Hz: Balance of volume and clarity. Ideal for live performances and dynamic microphones.
  • 40 – 15,000 Hz to 50 – 18,000 Hz: Rich, natural vocal sound. Suitable for podcasts, radio, and streaming.
  • 20 – 18,000 Hz to 20 – 20,000 Hz: Full spectrum with high detail and "air". Ideal for studio recording.
  • Below 20 Hz & above 20,000 Hz: Extended technical range for specialized studio applications.
Impendance
1000 ohm

Impendance

Indicates how "easily" the microphone transmits its signal to the equipment (mixer, sound card, amplifier). It is expressed in Ohms (Ω).

  • Low impedance (≤ 600 Ω): Stable signal, less noise, ideal for professional equipment and long cable runs.
  • Medium impedance (600 – 1,000 Ω): Good balance, common in live and general use.
  • High impedance (> 1,000 Ω): More sensitive to loss and noise, usually found in older or specialized equipment.
Sensitivity
5 mV/Pa

Sensitivity

The sensitivity of a microphone indicates how strong the signal it produces is when recording a sound. It is measured in mV/Pa or dBV/Pa.

  • High sensitivity: The microphone can capture very low sounds, but it may be more sensitive to ambient noise.
  • Low sensitivity: It records louder sound sources without distortion, but requires more amplification from the preamp.

In general, condenser microphones have higher sensitivity than dynamic ones.

Max SPL
142 dB

Max SPL

Max SPL (Maximum Sound Pressure Level) is the maximum sound pressure level (in dB) that a microphone can withstand before it starts to distort the sound.

  • High Max SPL (e.g., 140-160dB): Ideal for recording loud sources such as drums, amplified guitar, or live concerts.
  • Lower Max SPL (e.g., 120dB): Suitable for vocals and softer recordings.

The higher the Max SPL, the louder the sounds it can capture without distortion.
Connectivity
3.5mm

General Characteristics

Device Group
Presentations & Theater
Placement
Lapel, Clip On
Vintage
No
Set
No
Color
Black

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

349,00 €
Free   shipping cost
Sennheiser