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GS-55 Δυναμικό Microphone XLR Handmade for Vocals
Microphones

GS-55 Δυναμικό Microphone XLR Handmade for Vocals

Key features:

  • Type: Dynamic
  • Polar Pattern: Cardioid
  • Frequency Response: 50 Hz - 15 KHz
  • Impedance: 600Ω
  • XLR Connectivity
See full description

Top specs

  • Type (Directivity)

    Unidirectional (Cardioid)

    Cardioid: Captures sound primarily from the front, reducing sounds from the sides and rear. Ideal for vocals, podcasting, and live recordings.
  • Usage Voice, Computer (Gaming & Streaming)
  • Placement Handmade
  • Connectivity XLR
  • See all
23 38 €
24 Coins 24 Coins
Delivery by Wed, 21 Oct
2,50 € to a Skroutz Point
or   3,50 €   shipping cost
Do you want it Tomorrow with Free shipping to Skroutz Point?
From Smartlux 4.9 (5)
4.9 (5 reviews)
Αθήνα, Αττικής
In-store pickup available
1 piece
See Audio on the page of Smartlux
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Product report

Description

Description

Dynamic handheld cardioid microphone for vocals and wind instruments.

Manufacturer

Manufacturer Details

Warnings & Safety Information
See full description

Specifications

Specifications

Dimensions

Mode of Operation
Dynamic

Mode of Operation

Dynamic

Durable microphone that does not require power supply. Ideal for live performances and loud sound sources (vocals, drums, amplifiers).
Directivity
Unidirectional (Cardioid)

Directivity

Unidirectional (Cardioid)

Cardioid: Captures sound primarily from the front, reducing sounds from the sides and rear. Ideal for vocals, podcasting, and live recordings.
Frequency
50 - 15000 Hz

Frequency

Indicates the frequency range that a microphone can capture and is expressed in Hertz (Hz). The more balanced the range, the more natural and clear the sound.

Usage examples:

  • 100 – 10,000 Hz to 200 – 12,000 Hz: Emphasis on speech intelligibility, with limited low and very high frequencies.
  • 50 – 14,000 Hz to 80 – 16,000 Hz: Balance of volume and clarity. Ideal for live performances and dynamic microphones.
  • 40 – 15,000 Hz to 50 – 18,000 Hz: Rich, natural vocal sound. Suitable for podcasts, radio, and streaming.
  • 20 – 18,000 Hz to 20 – 20,000 Hz: Full spectrum with high detail and "air". Ideal for studio recording.
  • Below 20 Hz & above 20,000 Hz: Extended technical range for specialized studio applications.
Impendance
600 ohm

Impendance

Indicates how "easily" the microphone transmits its signal to the equipment (mixer, sound card, amplifier). It is expressed in Ohms (Ω).

  • Low impedance (≤ 600 Ω): Stable signal, less noise, ideal for professional equipment and long cable runs.
  • Medium impedance (600 – 1,000 Ω): Good balance, common in live and general use.
  • High impedance (> 1,000 Ω): More sensitive to loss and noise, usually found in older or specialized equipment.
Max SPL
72 dB

Max SPL

Max SPL (Maximum Sound Pressure Level) is the maximum sound pressure level (in dB) that a microphone can withstand before it starts to distort the sound.

  • High Max SPL (e.g., 140-160dB): Ideal for recording loud sources such as drums, amplified guitar, or live concerts.
  • Lower Max SPL (e.g., 120dB): Suitable for vocals and softer recordings.

The higher the Max SPL, the louder the sounds it can capture without distortion.
Signal-to-Noise Ratio (SNR)
72 dB

Signal-to-Noise Ratio (SNR)

Indicates the difference between the useful signal and the microphone's noise. The higher the value in dB, the clearer the sound. A microphone with a low SNR may sound “noisy,” especially in quiet environments or when recording low-volume sounds. On the other hand, a high SNR means that noise is minimal compared to the sound you want to capture, offering a more professional, clear, and detailed result—ideal for studio, vocals, or high-quality recording.

  • 35 – 60 dB (Low SNR): Noticeable noise is present. Suitable for casual use or loud sources.
  • 60 – 90 dB (Medium SNR): Good signal-to-noise balance. Suitable for live performances and general use.
  • 90 – 110 dB (High SNR): Very clear signal with minimal noise. Ideal for studio, vocals, and high-quality recording.
Connectivity
XLR

General Characteristics

Device Group
Voice, Computer (Gaming & Streaming)
Placement
Handmade
Vintage
No
Set
No
Color
Black

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

See all specifications

Reviews (2)

Reviews

4.5
2
4.5
Review this product
  1. 1
  2. 1
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1 star
    0
Review this product
  • MagnuMusic_Studios
    4
    1 out of 1 members found this review helpful
    MagnuMusic_Studios

    Okay, it is a cheap microphone! I have had it for quite some time! You need to know what a cheap microphone is before you buy it! You can never compare it to an expensive one like many people do! As for its positives, I would say that it has a solid and sturdy metal construction, it is quite durable, and for what it is, yes, it is worth its money! Anyone looking for a professional sound, I would not recommend it to them! Firstly, it lacks fidelity in sound (logical, it costs 20€)! Secondly, it has a lot of noise when you touch it (meaning you can hear your fingers on the body if you make a movement). IT'S LOGICAL, IT COSTS 20€! As I mentioned before, many people compare these microphones to the Shure 58... No... just no... These are the people who have only heard the Shure on YouTube! A good dynamic microphone is much easier to handle in a live performance, in terms of dynamic range, frequency response, and voice fidelity! If you want to seriously perform somewhere or if you are a sound engineer and need to get a decent microphone, then your sound matters! So, I do not recommend it!

    Translated from Greek ·
    • Construction quality
    • Durability
    • Value for money
    • Sound quality
    Did you find this review helpful?
  • 5
    panven

    • Sound quality
    • Durability
    • Value for money
    • Construction quality
  • MagnuMusic_Studios
    4
    MagnuMusic_Studios

    Okay, it is a cheap microphone! I have had it for quite some time! You need to know what a cheap microphone is before you buy it! You can never compare it to an expensive one like many people do! As for its positives, I would say that it has a solid and sturdy metal construction, it is quite durable, and for what it is, yes, it is worth its money! Anyone looking for a professional sound, I would not recommend it to them! Firstly, it lacks fidelity in sound (logical, it costs 20€)! Secondly, it has a lot of noise when you touch it (meaning you can hear your fingers on the body if you make a movement). IT'S LOGICAL, IT COSTS 20€! As I mentioned before, many people compare these microphones to the Shure 58... No... just no... These are the people who have only heard the Shure on YouTube! A good dynamic microphone is much easier to handle in a live performance, in terms of dynamic range, frequency response, and voice fidelity! If you want to seriously perform somewhere or if you are a sound engineer and need to get a decent microphone, then your sound matters! So, I do not recommend it!

    Translated from Greek ·
    1
  • 5
    panven

    0
  • See all
Questions

Questions

Do you have a question about the product?

11 users have this product and can help you

Ask for the product

Description & Specifications

Dynamic handheld cardioid microphone for vocals and wind instruments.

Manufacturer

Manufacturer Details

Warnings & Safety Information

Dimensions

Mode of Operation
Dynamic

Mode of Operation

Dynamic

Durable microphone that does not require power supply. Ideal for live performances and loud sound sources (vocals, drums, amplifiers).
Directivity
Unidirectional (Cardioid)

Directivity

Unidirectional (Cardioid)

Cardioid: Captures sound primarily from the front, reducing sounds from the sides and rear. Ideal for vocals, podcasting, and live recordings.
Frequency
50 - 15000 Hz

Frequency

Indicates the frequency range that a microphone can capture and is expressed in Hertz (Hz). The more balanced the range, the more natural and clear the sound.

Usage examples:

  • 100 – 10,000 Hz to 200 – 12,000 Hz: Emphasis on speech intelligibility, with limited low and very high frequencies.
  • 50 – 14,000 Hz to 80 – 16,000 Hz: Balance of volume and clarity. Ideal for live performances and dynamic microphones.
  • 40 – 15,000 Hz to 50 – 18,000 Hz: Rich, natural vocal sound. Suitable for podcasts, radio, and streaming.
  • 20 – 18,000 Hz to 20 – 20,000 Hz: Full spectrum with high detail and "air". Ideal for studio recording.
  • Below 20 Hz & above 20,000 Hz: Extended technical range for specialized studio applications.
Impendance
600 ohm

Impendance

Indicates how "easily" the microphone transmits its signal to the equipment (mixer, sound card, amplifier). It is expressed in Ohms (Ω).

  • Low impedance (≤ 600 Ω): Stable signal, less noise, ideal for professional equipment and long cable runs.
  • Medium impedance (600 – 1,000 Ω): Good balance, common in live and general use.
  • High impedance (> 1,000 Ω): More sensitive to loss and noise, usually found in older or specialized equipment.
Max SPL
72 dB

Max SPL

Max SPL (Maximum Sound Pressure Level) is the maximum sound pressure level (in dB) that a microphone can withstand before it starts to distort the sound.

  • High Max SPL (e.g., 140-160dB): Ideal for recording loud sources such as drums, amplified guitar, or live concerts.
  • Lower Max SPL (e.g., 120dB): Suitable for vocals and softer recordings.

The higher the Max SPL, the louder the sounds it can capture without distortion.
Signal-to-Noise Ratio (SNR)
72 dB

Signal-to-Noise Ratio (SNR)

Indicates the difference between the useful signal and the microphone's noise. The higher the value in dB, the clearer the sound. A microphone with a low SNR may sound “noisy,” especially in quiet environments or when recording low-volume sounds. On the other hand, a high SNR means that noise is minimal compared to the sound you want to capture, offering a more professional, clear, and detailed result—ideal for studio, vocals, or high-quality recording.

  • 35 – 60 dB (Low SNR): Noticeable noise is present. Suitable for casual use or loud sources.
  • 60 – 90 dB (Medium SNR): Good signal-to-noise balance. Suitable for live performances and general use.
  • 90 – 110 dB (High SNR): Very clear signal with minimal noise. Ideal for studio, vocals, and high-quality recording.
Connectivity
XLR

General Characteristics

Device Group
Voice, Computer (Gaming & Streaming)
Placement
Handmade
Vintage
No
Set
No
Color
Black

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

Reviews (2)

4.5
2
4.5
Review this product
  1. 1
  2. 1
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1 star
    0
Review this product
  • MagnuMusic_Studios
    4
    1 out of 1 members found this review helpful
    MagnuMusic_Studios

    Okay, it is a cheap microphone! I have had it for quite some time! You need to know what a cheap microphone is before you buy it! You can never compare it to an expensive one like many people do! As for its positives, I would say that it has a solid and sturdy metal construction, it is quite durable, and for what it is, yes, it is worth its money! Anyone looking for a professional sound, I would not recommend it to them! Firstly, it lacks fidelity in sound (logical, it costs 20€)! Secondly, it has a lot of noise when you touch it (meaning you can hear your fingers on the body if you make a movement). IT'S LOGICAL, IT COSTS 20€! As I mentioned before, many people compare these microphones to the Shure 58... No... just no... These are the people who have only heard the Shure on YouTube! A good dynamic microphone is much easier to handle in a live performance, in terms of dynamic range, frequency response, and voice fidelity! If you want to seriously perform somewhere or if you are a sound engineer and need to get a decent microphone, then your sound matters! So, I do not recommend it!

    Translated from Greek ·
    • Construction quality
    • Durability
    • Value for money
    • Sound quality
    Did you find this review helpful?
  • 5
    panven

    • Sound quality
    • Durability
    • Value for money
    • Construction quality
  • MagnuMusic_Studios
    4
    MagnuMusic_Studios

    Okay, it is a cheap microphone! I have had it for quite some time! You need to know what a cheap microphone is before you buy it! You can never compare it to an expensive one like many people do! As for its positives, I would say that it has a solid and sturdy metal construction, it is quite durable, and for what it is, yes, it is worth its money! Anyone looking for a professional sound, I would not recommend it to them! Firstly, it lacks fidelity in sound (logical, it costs 20€)! Secondly, it has a lot of noise when you touch it (meaning you can hear your fingers on the body if you make a movement). IT'S LOGICAL, IT COSTS 20€! As I mentioned before, many people compare these microphones to the Shure 58... No... just no... These are the people who have only heard the Shure on YouTube! A good dynamic microphone is much easier to handle in a live performance, in terms of dynamic range, frequency response, and voice fidelity! If you want to seriously perform somewhere or if you are a sound engineer and need to get a decent microphone, then your sound matters! So, I do not recommend it!

    Translated from Greek ·
    1
  • 5
    panven

    0
  • See all
23,38 €
2,50 € to a Skroutz Point
or   3,50 €   shipping cost

Carol
10% coupon from the shop Euragora until 25/10!
10% coupon from the shop Euragora until 25/10!
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