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JTS GM-5218 Electret Microphone XLR Gooseneck
Microphones

JTS GM-5218 Electret Microphone XLR Gooseneck

The JTS GM-5218 is an electret microphone designed for professional use, ideal for applications that require high sound quality. Thanks to its gooseneck design, it offers flexibility in adjusting the...

The JTS GM-5218 is an electret microphone designed for professional use, ideal for applications that require high sound quality. Thanks to its gooseneck design, it offers flexibility in adjusting the angle and position of the microphone, making it suitable for various settings.

  • The microphone features an XLR connection for reliable and stable connection to...
See full description See full description

  • Type (Directivity)

    Unidirectional (Supercardioid)

    (Supercardioid): It has a narrower pickup in front than the cardioid and slightly more sensitivity from the back. Ideal for recordings in noisy environments.
  • Usage Presentations & Theater
  • Placement Gooseneck
  • Connectivity XLR
  • See all
107 00 €
107 Coins 107 Coins
Delivery by Wed, 01 Jul
2,50 € to a Skroutz Point
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Sent from Romania
From Elda Rom Company
Romania
2 pieces
See Audio on the page of Elda Rom Company
What if it breaks?

You have at least a 2-year warranty. Contact us by phone and we will immediately take care of the repair, replacement or refund of your money, completely free of charge.

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Product report

Description

Description

The JTS GM-5218 is an electret microphone designed for professional use, ideal for applications that require high sound quality. Thanks to its gooseneck design, it offers flexibility in adjusting the angle and position of the microphone, making it suitable for various settings.

  • The microphone features an XLR connection for reliable and stable connection to your audio system.
  • Its design ensures clarity and precision in sound, making it ideal for presentations and speeches.

Experience the professional sound quality offered by the JTS GM-5218 and take advantage of its flexibility for your needs.

Manufacturer

Manufacturer Details

Warnings & Safety Information
See full description

Specifications

Specifications

Dimensions

Mode of Operation
Electret

Mode of Operation

Electret
Type of condenser with built-in charge. Small, lightweight, and affordable, commonly found in lavalier, headset, and portable devices.
Directivity
Unidirectional (Supercardioid)

Directivity

Unidirectional (Supercardioid)

(Supercardioid): It has a narrower pickup in front than the cardioid and slightly more sensitivity from the back. Ideal for recordings in noisy environments.
Frequency
80 - 18000 Hz

Frequency

Indicates the frequency range that a microphone can capture and is expressed in Hertz (Hz). The more balanced the range, the more natural and clear the sound.

Usage examples:

  • 100 – 10,000 Hz to 200 – 12,000 Hz: Emphasis on speech intelligibility, with limited low and very high frequencies.
  • 50 – 14,000 Hz to 80 – 16,000 Hz: Balance of volume and clarity. Ideal for live performances and dynamic microphones.
  • 40 – 15,000 Hz to 50 – 18,000 Hz: Rich, natural vocal sound. Suitable for podcasts, radio, and streaming.
  • 20 – 18,000 Hz to 20 – 20,000 Hz: Full spectrum with high detail and "air". Ideal for studio recording.
  • Below 20 Hz & above 20,000 Hz: Extended technical range for specialized studio applications.
Impendance
220 ohm

Impendance

Indicates how "easily" the microphone transmits its signal to the equipment (mixer, sound card, amplifier). It is expressed in Ohms (Ω).

  • Low impedance (≤ 600 Ω): Stable signal, less noise, ideal for professional equipment and long cable runs.
  • Medium impedance (600 – 1,000 Ω): Good balance, common in live and general use.
  • High impedance (> 1,000 Ω): More sensitive to loss and noise, usually found in older or specialized equipment.
Sensitivity
16 mV/Pa

Sensitivity

The sensitivity of a microphone indicates how strong the signal it produces is when recording a sound. It is measured in mV/Pa or dBV/Pa.

  • High sensitivity: The microphone can capture very low sounds, but it may be more sensitive to ambient noise.
  • Low sensitivity: It records louder sound sources without distortion, but requires more amplification from the preamp.

In general, condenser microphones have higher sensitivity than dynamic ones.

Max SPL
125 dB

Max SPL

Max SPL (Maximum Sound Pressure Level) is the maximum sound pressure level (in dB) that a microphone can withstand before it starts to distort the sound.

  • High Max SPL (e.g., 140-160dB): Ideal for recording loud sources such as drums, amplified guitar, or live concerts.
  • Lower Max SPL (e.g., 120dB): Suitable for vocals and softer recordings.

The higher the Max SPL, the louder the sounds it can capture without distortion.
Connectivity
XLR

General Characteristics

Device Group
Presentations & Theater
Placement
Gooseneck
Vintage
No
Set
No
Color
Black

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

See all specifications
Questions

Questions

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Description & Specifications

The JTS GM-5218 is an electret microphone designed for professional use, ideal for applications that require high sound quality. Thanks to its gooseneck design, it offers flexibility in adjusting the angle and position of the microphone, making it suitable for various settings.

  • The microphone features an XLR connection for reliable and stable connection to your audio system.
  • Its design ensures clarity and precision in sound, making it ideal for presentations and speeches.

Experience the professional sound quality offered by the JTS GM-5218 and take advantage of its flexibility for your needs.

Manufacturer

Manufacturer Details

Warnings & Safety Information

Dimensions

Mode of Operation
Electret

Mode of Operation

Electret
Type of condenser with built-in charge. Small, lightweight, and affordable, commonly found in lavalier, headset, and portable devices.
Directivity
Unidirectional (Supercardioid)

Directivity

Unidirectional (Supercardioid)

(Supercardioid): It has a narrower pickup in front than the cardioid and slightly more sensitivity from the back. Ideal for recordings in noisy environments.
Frequency
80 - 18000 Hz

Frequency

Indicates the frequency range that a microphone can capture and is expressed in Hertz (Hz). The more balanced the range, the more natural and clear the sound.

Usage examples:

  • 100 – 10,000 Hz to 200 – 12,000 Hz: Emphasis on speech intelligibility, with limited low and very high frequencies.
  • 50 – 14,000 Hz to 80 – 16,000 Hz: Balance of volume and clarity. Ideal for live performances and dynamic microphones.
  • 40 – 15,000 Hz to 50 – 18,000 Hz: Rich, natural vocal sound. Suitable for podcasts, radio, and streaming.
  • 20 – 18,000 Hz to 20 – 20,000 Hz: Full spectrum with high detail and "air". Ideal for studio recording.
  • Below 20 Hz & above 20,000 Hz: Extended technical range for specialized studio applications.
Impendance
220 ohm

Impendance

Indicates how "easily" the microphone transmits its signal to the equipment (mixer, sound card, amplifier). It is expressed in Ohms (Ω).

  • Low impedance (≤ 600 Ω): Stable signal, less noise, ideal for professional equipment and long cable runs.
  • Medium impedance (600 – 1,000 Ω): Good balance, common in live and general use.
  • High impedance (> 1,000 Ω): More sensitive to loss and noise, usually found in older or specialized equipment.
Sensitivity
16 mV/Pa

Sensitivity

The sensitivity of a microphone indicates how strong the signal it produces is when recording a sound. It is measured in mV/Pa or dBV/Pa.

  • High sensitivity: The microphone can capture very low sounds, but it may be more sensitive to ambient noise.
  • Low sensitivity: It records louder sound sources without distortion, but requires more amplification from the preamp.

In general, condenser microphones have higher sensitivity than dynamic ones.

Max SPL
125 dB

Max SPL

Max SPL (Maximum Sound Pressure Level) is the maximum sound pressure level (in dB) that a microphone can withstand before it starts to distort the sound.

  • High Max SPL (e.g., 140-160dB): Ideal for recording loud sources such as drums, amplified guitar, or live concerts.
  • Lower Max SPL (e.g., 120dB): Suitable for vocals and softer recordings.

The higher the Max SPL, the louder the sounds it can capture without distortion.
Connectivity
XLR

General Characteristics

Device Group
Presentations & Theater
Placement
Gooseneck
Vintage
No
Set
No
Color
Black

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

107,00 €
2,50 € to a Skroutz Point