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Audio Technica PRO25ax Δυναμικό Microphone XLR Shock Mounted for Studio
Microphones

Audio Technica PRO25ax Δυναμικό Microphone XLR Shock Mounted for Studio

The Audio Technica Dynamic Microphone XLR PRO25ax is ideal for professional studio use, offering exceptional sound quality and reliability. Its placement is designed with a Shock Mounted/Clip On...

The Audio Technica Dynamic Microphone XLR PRO25ax is ideal for professional studio use, offering exceptional sound quality and reliability. Its placement is designed with a Shock Mounted/Clip On system, which helps reduce vibrations and environmental noise, ensuring that your voice is heard clearly and without interference.

With its dynamic type, this...

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Top specs

  • Type (Directivity)

    Unidirectional (Hypercardioid)

    (Hypercardioid): Even narrower directional pickup, with greater isolation from the sides, but sensitivity to sound from the back. Useful in film recordings and stage recordings.
  • Usage Musical Instruments, Studio
  • Placement Shock Mounted
  • Connectivity XLR
  • See all
186 17 €
187 Coins 187 Coins
Delivery Mon, 12 Oct - Fri, 16 Oct
2,50 € to a Skroutz Point
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Sent from Poland
From Ovolt 4.7 (11)
4.7 (11 reviews)
Poland
2 pieces
See Audio on the page of Ovolt
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Product report

Description

Description

The Audio Technica Dynamic Microphone XLR PRO25ax is ideal for professional studio use, offering exceptional sound quality and reliability. Its placement is designed with a Shock Mounted/Clip On system, which helps reduce vibrations and environmental noise, ensuring that your voice is heard clearly and without interference.

With its dynamic type, this microphone is perfect for a variety of applications, from vocal recordings to live performances. Its build quality guarantees long-term use and durability, making it a reliable tool for any professional or hobbyist sound engineer. Its combined design with the XLR connection provides ease of installation and compatibility with most audio systems.

Manufacturer

Manufacturer Details

Warnings & Safety Information
See full description

Specifications

Specifications

Dimensions

Mode of Operation
Dynamic

Mode of Operation

Dynamic

Durable microphone that does not require power supply. Ideal for live performances and loud sound sources (vocals, drums, amplifiers).
Directivity
Unidirectional (Hypercardioid)

Directivity

Unidirectional (Hypercardioid)

(Hypercardioid): Even narrower directional pickup, with greater isolation from the sides, but sensitivity to sound from the back. Useful in film recordings and stage recordings.
Frequency
30 - 12000 Hz

Frequency

Indicates the frequency range that a microphone can capture and is expressed in Hertz (Hz). The more balanced the range, the more natural and clear the sound.

Usage examples:

  • 100 – 10,000 Hz to 200 – 12,000 Hz: Emphasis on speech intelligibility, with limited low and very high frequencies.
  • 50 – 14,000 Hz to 80 – 16,000 Hz: Balance of volume and clarity. Ideal for live performances and dynamic microphones.
  • 40 – 15,000 Hz to 50 – 18,000 Hz: Rich, natural vocal sound. Suitable for podcasts, radio, and streaming.
  • 20 – 18,000 Hz to 20 – 20,000 Hz: Full spectrum with high detail and "air". Ideal for studio recording.
  • Below 20 Hz & above 20,000 Hz: Extended technical range for specialized studio applications.
Impendance
600 ohm

Impendance

Indicates how "easily" the microphone transmits its signal to the equipment (mixer, sound card, amplifier). It is expressed in Ohms (Ω).

  • Low impedance (≤ 600 Ω): Stable signal, less noise, ideal for professional equipment and long cable runs.
  • Medium impedance (600 – 1,000 Ω): Good balance, common in live and general use.
  • High impedance (> 1,000 Ω): More sensitive to loss and noise, usually found in older or specialized equipment.
Sensitivity
1.9 mV/Pa

Sensitivity

The sensitivity of a microphone indicates how strong the signal it produces is when recording a sound. It is measured in mV/Pa or dBV/Pa.

  • High sensitivity: The microphone can capture very low sounds, but it may be more sensitive to ambient noise.
  • Low sensitivity: It records louder sound sources without distortion, but requires more amplification from the preamp.

In general, condenser microphones have higher sensitivity than dynamic ones.

Connectivity
XLR

General Characteristics

Device Group
Musical Instruments, Studio
Placement
Shock Mounted
Vintage
No
Set
No
Color
Black

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

See all specifications
Questions

Questions

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Description & Specifications

The Audio Technica Dynamic Microphone XLR PRO25ax is ideal for professional studio use, offering exceptional sound quality and reliability. Its placement is designed with a Shock Mounted/Clip On system, which helps reduce vibrations and environmental noise, ensuring that your voice is heard clearly and without interference.

With its dynamic type, this microphone is perfect for a variety of applications, from vocal recordings to live performances. Its build quality guarantees long-term use and durability, making it a reliable tool for any professional or hobbyist sound engineer. Its combined design with the XLR connection provides ease of installation and compatibility with most audio systems.

Manufacturer

Manufacturer Details

Warnings & Safety Information

Dimensions

Mode of Operation
Dynamic

Mode of Operation

Dynamic

Durable microphone that does not require power supply. Ideal for live performances and loud sound sources (vocals, drums, amplifiers).
Directivity
Unidirectional (Hypercardioid)

Directivity

Unidirectional (Hypercardioid)

(Hypercardioid): Even narrower directional pickup, with greater isolation from the sides, but sensitivity to sound from the back. Useful in film recordings and stage recordings.
Frequency
30 - 12000 Hz

Frequency

Indicates the frequency range that a microphone can capture and is expressed in Hertz (Hz). The more balanced the range, the more natural and clear the sound.

Usage examples:

  • 100 – 10,000 Hz to 200 – 12,000 Hz: Emphasis on speech intelligibility, with limited low and very high frequencies.
  • 50 – 14,000 Hz to 80 – 16,000 Hz: Balance of volume and clarity. Ideal for live performances and dynamic microphones.
  • 40 – 15,000 Hz to 50 – 18,000 Hz: Rich, natural vocal sound. Suitable for podcasts, radio, and streaming.
  • 20 – 18,000 Hz to 20 – 20,000 Hz: Full spectrum with high detail and "air". Ideal for studio recording.
  • Below 20 Hz & above 20,000 Hz: Extended technical range for specialized studio applications.
Impendance
600 ohm

Impendance

Indicates how "easily" the microphone transmits its signal to the equipment (mixer, sound card, amplifier). It is expressed in Ohms (Ω).

  • Low impedance (≤ 600 Ω): Stable signal, less noise, ideal for professional equipment and long cable runs.
  • Medium impedance (600 – 1,000 Ω): Good balance, common in live and general use.
  • High impedance (> 1,000 Ω): More sensitive to loss and noise, usually found in older or specialized equipment.
Sensitivity
1.9 mV/Pa

Sensitivity

The sensitivity of a microphone indicates how strong the signal it produces is when recording a sound. It is measured in mV/Pa or dBV/Pa.

  • High sensitivity: The microphone can capture very low sounds, but it may be more sensitive to ambient noise.
  • Low sensitivity: It records louder sound sources without distortion, but requires more amplification from the preamp.

In general, condenser microphones have higher sensitivity than dynamic ones.

Connectivity
XLR

General Characteristics

Device Group
Musical Instruments, Studio
Placement
Shock Mounted
Vintage
No
Set
No
Color
Black

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

186,17 €
2,50 € to a Skroutz Point