Each photograph in Dunne’s book depicts a place where eagles have been killed, the animals themselves or the tools of their destruction. The images are black and white, echoing the detachment and impartiality of crime scene photography. The title of the book is drawn from the term ‘killing sink’, which is an area created when a territorial animal is killed and as a result, others of the same species are drawn to the location.

The newcomers are subsequently killed and a cycle of killing is established. Collectively, the photographs in Dunne’s book intertwine the birds with the intention, psychology and history of the act of their demise creating a visual testimony.