Skroutz.gr

Audio Technica BP40 Δυναμικό Microphone XLR Shock Mounted for Vocals
Microphones

Audio Technica BP40 Δυναμικό Microphone XLR Shock Mounted for Vocals

The Audio Technica BP40 is a dynamic XLR microphone specifically designed for vocals. It delivers exceptional sound quality, making it suitable for professional use.

Additionally, it features a shock...

The Audio Technica BP40 is a dynamic XLR microphone specifically designed for vocals. It delivers exceptional sound quality, making it suitable for professional use.

Additionally, it features a shock mount that reduces the impact of vibrations and ensures clear sound, ideal for studio recordings or live performances.

  • Designed for vocals, offering rich and...
See full description See full description

Top specs

  • Type (Directivity)

    Unidirectional (Hypercardioid)

    (Hypercardioid): Even narrower directional pickup, with greater isolation from the sides, but sensitivity to sound from the back. Useful in film recordings and stage recordings.
  • Usage Voice, Computer (Gaming & Streaming), Studio
  • Placement Shock Mounted
  • Connectivity XLR
  • See all
Product report

Description

Description

The Audio Technica BP40 is a dynamic XLR microphone specifically designed for vocals. It delivers exceptional sound quality, making it suitable for professional use.

Additionally, it features a shock mount that reduces the impact of vibrations and ensures clear sound, ideal for studio recordings or live performances.

  • Designed for vocals, offering rich and natural sound.

With the Audio Technica BP40, voices gain new dimension and depth, making it the perfect choice for artists and sound professionals.

Manufacturer

Manufacturer Details

Warnings & Safety Information
See full description

Specifications

Specifications

Dimensions

Mode of Operation
Dynamic

Mode of Operation

Dynamic

Durable microphone that does not require power supply. Ideal for live performances and loud sound sources (vocals, drums, amplifiers).
Directivity
Unidirectional (Hypercardioid)

Directivity

Unidirectional (Hypercardioid)

(Hypercardioid): Even narrower directional pickup, with greater isolation from the sides, but sensitivity to sound from the back. Useful in film recordings and stage recordings.
Frequency
50 - 16000 Hz

Frequency

Indicates the frequency range that a microphone can capture and is expressed in Hertz (Hz). The more balanced the range, the more natural and clear the sound.

Usage examples:

  • 100 – 10,000 Hz to 200 – 12,000 Hz: Emphasis on speech intelligibility, with limited low and very high frequencies.
  • 50 – 14,000 Hz to 80 – 16,000 Hz: Balance of volume and clarity. Ideal for live performances and dynamic microphones.
  • 40 – 15,000 Hz to 50 – 18,000 Hz: Rich, natural vocal sound. Suitable for podcasts, radio, and streaming.
  • 20 – 18,000 Hz to 20 – 20,000 Hz: Full spectrum with high detail and "air". Ideal for studio recording.
  • Below 20 Hz & above 20,000 Hz: Extended technical range for specialized studio applications.
Impendance
450 ohm

Impendance

Indicates how "easily" the microphone transmits its signal to the equipment (mixer, sound card, amplifier). It is expressed in Ohms (Ω).

  • Low impedance (≤ 600 Ω): Stable signal, less noise, ideal for professional equipment and long cable runs.
  • Medium impedance (600 – 1,000 Ω): Good balance, common in live and general use.
  • High impedance (> 1,000 Ω): More sensitive to loss and noise, usually found in older or specialized equipment.
Connectivity
XLR

General Characteristics

Device Group
Voice, Computer (Gaming & Streaming), Studio
Placement
Shock Mounted
Vintage
No
Set
No
Color
Black

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

See all specifications

Reviews (1)

Reviews

5.0
1
5.0
Review this product
  1. 1
  2. 4 stars
    0
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1 star
    0
Review this product
  • mr.vaticano
    5
    mr.vaticano

    I have had this specific microphone for 2 years. I can say it is of very good construction with a large diaphragm and very nice design.

    I was torn between the SM7B and the RE20. Personally, it's not worth getting the RE20 unless you have 630 euros to spare right now.

    Finally, I should mention that the sound quality is also very good, at least as I use it with a DBX286s.

    Translated from Greek ·
    • Sound quality
    • Construction quality
    • Durability
    • Value for money
    Did you find this review helpful?
  • mr.vaticano
    5
    mr.vaticano

    I have had this specific microphone for 2 years. I can say it is of very good construction with a large diaphragm and very nice design.

    I was torn between the SM7B and the RE20. Personally, it's not worth getting the RE20 unless you have 630 euros to spare right now.

    Finally, I should mention that the sound quality is also very good, at least as I use it with a DBX286s.

    Translated from Greek ·
    0
  • See all
Questions

Questions

Do you have a question about the product?

Those users who have this product can help you

Ask for the product

Description & Specifications

The Audio Technica BP40 is a dynamic XLR microphone specifically designed for vocals. It delivers exceptional sound quality, making it suitable for professional use.

Additionally, it features a shock mount that reduces the impact of vibrations and ensures clear sound, ideal for studio recordings or live performances.

  • Designed for vocals, offering rich and natural sound.

With the Audio Technica BP40, voices gain new dimension and depth, making it the perfect choice for artists and sound professionals.

Manufacturer

Manufacturer Details

Warnings & Safety Information

Dimensions

Mode of Operation
Dynamic

Mode of Operation

Dynamic

Durable microphone that does not require power supply. Ideal for live performances and loud sound sources (vocals, drums, amplifiers).
Directivity
Unidirectional (Hypercardioid)

Directivity

Unidirectional (Hypercardioid)

(Hypercardioid): Even narrower directional pickup, with greater isolation from the sides, but sensitivity to sound from the back. Useful in film recordings and stage recordings.
Frequency
50 - 16000 Hz

Frequency

Indicates the frequency range that a microphone can capture and is expressed in Hertz (Hz). The more balanced the range, the more natural and clear the sound.

Usage examples:

  • 100 – 10,000 Hz to 200 – 12,000 Hz: Emphasis on speech intelligibility, with limited low and very high frequencies.
  • 50 – 14,000 Hz to 80 – 16,000 Hz: Balance of volume and clarity. Ideal for live performances and dynamic microphones.
  • 40 – 15,000 Hz to 50 – 18,000 Hz: Rich, natural vocal sound. Suitable for podcasts, radio, and streaming.
  • 20 – 18,000 Hz to 20 – 20,000 Hz: Full spectrum with high detail and "air". Ideal for studio recording.
  • Below 20 Hz & above 20,000 Hz: Extended technical range for specialized studio applications.
Impendance
450 ohm

Impendance

Indicates how "easily" the microphone transmits its signal to the equipment (mixer, sound card, amplifier). It is expressed in Ohms (Ω).

  • Low impedance (≤ 600 Ω): Stable signal, less noise, ideal for professional equipment and long cable runs.
  • Medium impedance (600 – 1,000 Ω): Good balance, common in live and general use.
  • High impedance (> 1,000 Ω): More sensitive to loss and noise, usually found in older or specialized equipment.
Connectivity
XLR

General Characteristics

Device Group
Voice, Computer (Gaming & Streaming), Studio
Placement
Shock Mounted
Vintage
No
Set
No
Color
Black

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

Reviews (1)

5.0
1
5.0
Review this product
  1. 1
  2. 4 stars
    0
  3. 3 stars
    0
  4. 2 stars
    0
  5. 1 star
    0
Review this product
  • mr.vaticano
    5
    mr.vaticano

    I have had this specific microphone for 2 years. I can say it is of very good construction with a large diaphragm and very nice design.

    I was torn between the SM7B and the RE20. Personally, it's not worth getting the RE20 unless you have 630 euros to spare right now.

    Finally, I should mention that the sound quality is also very good, at least as I use it with a DBX286s.

    Translated from Greek ·
    • Sound quality
    • Construction quality
    • Durability
    • Value for money
    Did you find this review helpful?
  • mr.vaticano
    5
    mr.vaticano

    I have had this specific microphone for 2 years. I can say it is of very good construction with a large diaphragm and very nice design.

    I was torn between the SM7B and the RE20. Personally, it's not worth getting the RE20 unless you have 630 euros to spare right now.

    Finally, I should mention that the sound quality is also very good, at least as I use it with a DBX286s.

    Translated from Greek ·
    0
  • See all
361,00 € Shipping Cost: Free
View at store